Wedding photographer at Villa Ephrussi de Rothschild

Why getting married at the Villa Ephrussi de Rothschild is unique on the French Riviera

A permanent link with the Mediterranean

At Villa Ephrussi, the sea is never far away. It accompanies the viewer's gaze, framing the gardens, opening up perspectives and providing that special light of the French Riviera. This constant link with the Mediterranean gives the site a unique breath of fresh air. Even in the most elaborate, sophisticated spaces, you can always feel the presence of the landscape.

It's also what sets us apart from other highly prestigious venues. Here, weddings remain deeply rooted in the Riviera. It's not just a beautiful reception in a remarkable villa. It's a day on the French Riviera, with all that that brings in terms of light, space and softness.

The ideal venue for an international wedding on the Riviera

The Villa Ephrussi de Rothschild perfectly matches the image that many foreign couples have of a wedding on the French Riviera. There's the iconic villa, the spectacular gardens, the ever-present sea, the proximity to Nice, Monaco, Villefranche-sur-Mer or Saint-Jean-Cap-Ferrat, and that rare blend of prestige, art de vivre and natural beauty.

For guests from afar, the experience is immediately powerful. The place makes an effortless impression. It recounts something of the Riviera at its most refined, timeless and desirable.

A sumptuous setting that leaves plenty of room for intimacy

This is undoubtedly one of the Villa Ephrussi's greatest qualities. The place can impress, amaze, give a day a great deal of scope, while preserving profoundly intimate moments. A walk down an aisle, a moment for two on a terrace, a breath of fresh air just after the ceremony, an exchange of glances between two highlights... all this still exists to the full here.

In the most beautiful weddings, there's always that balance between grandeur and truth. The Villa Ephrussi de Rothschild naturally allows for this. This is precisely why it remains one of the most unique wedding venues on the French Riviera.

The most beautiful wedding venues at the Villa Ephrussi de Rothschild

The grand perspective of the French garden

There are places at the Villa Ephrussi that immediately impose something almost solemn. The grand perspective of the French garden is one of them. As you step into it, your gaze is caught by the perfect axis, the symmetry of the lines, the pale pink façade of the villa in the distance, the fountains, the flowerbeds, the sense of order and absolute beauty. It's not just pretty. It's a setting that breathes life into the images.

For wedding photography, this space works wonderfully because it naturally lends elegance without freezing people. You can create very refined portraits, but also more lively images, with movement, a slow walk, a dress that follows the line of the garden, a couple crossing this space without being overwhelmed by it. That's the strength of the place: it impresses, but doesn't suffocate.

Terraces open onto the two bays

One of the rarest privileges of the Villa Ephrussi de Rothschild is its permanent relationship with the sea. From certain terraces, you can almost physically feel the peninsula, the light, the air, the opening onto the two bays. Everything breathes. For a wedding on the French Riviera, this is an immense luxury, because these terraces anchor the images in the Riviera without the need to look for another setting.

The photos taken here often have a more ethereal, freer quality. The couple seems surrounded by light. The background doesn't interfere with the image, it opens it up. These are perfect locations for elegant, simple, powerful portraits, where the Mediterranean brings a discreet but essential presence. You don't just see the sea. You really feel that the wedding is taking place in one of the French Riviera's most iconic locations.

The villa's staircases, between refinement and natural setting

The stairs at Villa Ephrussi are magnificent because they immediately give relief to the images. They create a progression, a verticality, a strong visual rhythm. They allow us to photograph a couple in a way other than a simple frontal pose. Here, something can happen. An entrance, a descent, a glance exchanged in movement, a silhouette that stands out against the pale stone or façade.

What I particularly like about these spaces is that they make images naturally sophisticated. You don't have to direct too much. The structure of the space already does part of the work. The couple can remain themselves, keeping something fluid and real, while the architecture provides that almost cinematic touch that makes all the difference.

The more confidential alleys between the gardens

The Villa Ephrussi is more than just its grand vistas. It's also a place of passages, breathing spaces and quieter corners. Between the gardens, certain alleys offer a completely different atmosphere, softer, more intimate, almost more secretive. This is often where the most sensitive images are created, precisely because we leave the monumentality of the site for a moment.

These more discreet areas are precious during a wedding. They allow the couple to take a breather, regain a little peace and quiet, and refocus on each other. For photography, this is an immense asset. You can go from a very open image on the Riviera to a much tighter, more emotional frame, without breaking the harmony of the reportage. This variety gives depth to the whole series.

The pool and the play of reflections

Water plays a very subtle role at Villa Ephrussi. The pond, the fountains, the reflections that appear depending on the time of day, bring a particular delicacy to the images. Nothing is flashy. Everything is in vibration. A reflection on the water, a flickering light, a slight movement behind a motionless couple, and the image suddenly takes on another texture.

Photographing around the pond often creates more nuanced, more poetic images, where the setting is more than just spectacular. It becomes alive. It accompanies the moment. In a place like this, it's precisely these details that prevent the reportage from being just “big”. They make it more subtle, more embodied, more memorable.

The views at the end of the day when the villa becomes almost unreal

Then there's that moment that Villa Ephrussi masters so well: the end of the day. When the sun goes down, the light becomes more golden, more tender, more enveloping. The colors of the façade change, the gardens soften, the sea loses its harsh glare to become more velvety. The whole place seems to slow down. It's often here that images take on an almost unreal dimension.

For couple photos, this light is a treasure. It gives portraits an incredible softness, while retaining the strength of the setting. This is the moment when the Villa Ephrussi ceases to be just a spectacular place and becomes a real emotional landscape. The photos no longer just show the beauty of the villa. They also tell of the calm, the precious, the suspended at the end of the day.

My approach to wedding photography at La Villa Ephrussi

Don't be impressed by the location, even when it's grandiose

The Villa Ephrussi de Rothschild is a place that could easily steal all the attention. That's precisely why it needs to be approached with delicacy. When a setting is so strong, so famous, so visually rich, the risk would be to photograph only the villa and gradually forget what really matters: the couple's history, the tension of the day, the emotions that flow, the very personal way each of them inhabits this space.

The way I work here starts with a simple choice: never let myself be overwhelmed by the prestige of the venue. Of course, I want to show off its beauty, its light, its architecture, its gardens, but above all I want all this to remain at the service of the wedding. A successful image at the Villa Ephrussi is not an empty postcard. It's an image where the location enhances the moment instead of suffocating it.

Bringing the elegance of the decor into dialogue with something deeply alive

What I'm looking for in a report here is not cold perfection. It's not a catalog of impeccable angles. What interests me is the encounter between the sophistication of the location and the real life of the day. A dress that crosses a perfectly designed garden. A laugh that breaks the solemnity of a terrace facing the sea. A hand that trembles a little before the ceremony in a setting that is nevertheless beyond reproach.

The Villa Ephrussi becomes much more interesting. It ceases to be just a monument of beauty and becomes a veritable theater of emotions. This is where the report takes on a new dimension. It doesn't just show what's beautiful. It shows what has been experienced in this beauty.

Photographing without weighing down the day's rhythm

In such prestigious settings, many couples sometimes worry that photos will take up too much space. It's a concern I fully understand. My approach is based on a discreet, fluid, attentive presence that accompanies the day without making it rigid. I don't want to turn the wedding into a permanent photo shoot. I want it to remain a wedding, with its breathing space, its surprises, its highlights and its quieter moments.

This means observing a great deal, anticipating, placing oneself in the right place without creating unnecessary tension, sensing when it's best to intervene lightly and when it's best to step aside completely. At Villa Ephrussi, this lightness is essential. The place already has so much to offer that it doesn't need to be overdirected. It's all about letting things happen.

Giving space to couple photos to keep them real

Couple photos in a place like this could quickly become very posed, very constructed, almost too perfect. I prefer to go in another direction. I want to keep the air in these images. I want the couple to be able to walk, talk, slow down, find each other, instead of having the impression of entering a series of imposed poses.

Of course, I guide when necessary. I give a direction, a movement, an impulse. But then I leave room for what comes naturally between them. A way of looking at each other, a discreet smile, a very simple closeness. At Villa Ephrussi, this blend of light guidance and freedom works particularly well, because the location already does much of the visual work. You don't have to do too much to make it beautiful.

Give as much importance to details as to big scenes

This type of marriage inevitably produces large-scale images. The gardens, the facade, the perspectives, the terraces, everything naturally pushes towards scale. But reportage can't live on big, spectacular shots alone. It needs details, fragments, gestures, materials, small moments that are almost invisible at the time, yet essential in the memory.

At Villa Ephrussi, these details are everywhere. A light on a tablecloth, a flower moved by the wind, the fall of a veil on a staircase, a glass raised during the cocktail party, a fleeting expression just before entering the ceremony. All these elements enrich the report. They give it flesh. They prevent the images from being merely beautiful. They make them sensitive.

Build a report that keeps the memory of the place, but above all the memory of the sensation.

Basically, what I want to offer a couple getting married at the Villa Ephrussi de Rothschild is not just the proof that they got married in an extraordinary place. Any large image can tell that story. What I'm looking for is more precious: to keep the memory of what this day really had in texture. The elegance, yes. The splendor of the place, of course. But also the nervousness of the morning, the calm that returned after the ceremony, the light on the faces, the almost unreal sensation of experiencing it all in such a place.

When a story really works, you don't just think, “That was beautiful.” You feel something again. You come back to the day. You rediscover the atmosphere. You can almost hear the silence of a garden, the gentle sound of a fountain, the breath of the sea a little further away. This is the memory I'm trying to build, image after image.

An award-winning wedding photographer for your wedding at Villa Ephrussi on the French Riviera

Laurie is a French photographic artist who has won awards from several European magazines for the creativity of her images and the finesse of her eye. Her work is distinguished by a sensitive, elegant and profoundly human approach, with a rare ability to transform a lived moment into a powerful image, without ever letting it lose its truth.

Her photography thrives on light, movement, sincere emotions and everything that gives a real soul to a day. At the Villa Ephrussi de Rothschild, she composes with the beauty of the gardens, the softness of the facades, the vistas of the sea and the most subtle gestures to create images that are refined, lively and timeless. With her, you can be sure of being accompanied by a passionate photographer, capable of telling the story of your wedding on the French Riviera with accuracy, sensitivity and elegance.

Photograph of the year

Prix Côte d'Azur France 2017

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Wedding coverage at the Villa Ephrussi de Rothschild

The start of the day, when everything is still in a state of anticipation

Before a wedding takes on its full dimension, there's always that very special moment when everything still seems to be holding back. The day hasn't yet tipped over into visible emotion, into embraces, into glances that fill the eyes, into celebration. At the Villa Ephrussi de Rothschild, this first part of the day is even more striking, because the place itself seems to be waiting. The gardens are calm, the light is slowly settling in, the terraces are still almost silent, and you can already sense that something important is about to happen.

I love photographing this first step in the wedding process. Preparations are never trivial. They carry a discreet tension, sometimes a feverishness, sometimes an almost astonishing calm. A dress hanging in a beautiful space, hands adjusting a detail, a mother watching without talking too much, a friend reassuring with a simple gesture, and suddenly the whole day begins to take shape. These are images that don't seek to impress, but to establish the emotional truth of the story.

Ceremony, when the place ceases to be a stage set and becomes a living scene

There comes a time when the Villa Ephrussi completely changes its nature. Until now, it had been a marvel of architecture, gardens and sea views. Then the ceremony begins, and everything comes back into focus. The place doesn't disappear, of course, but it begins to serve something stronger than itself. The guests' attention is drawn, faces become fixed, emotions rise, and suddenly all this external beauty becomes the setting for a profoundly human moment.

This is where photography becomes essential. I'm not just looking to show a beautiful ceremony in a prestigious location. I'm looking for the way emotion crosses this space. A tear in a perfect perspective. A fragile smile in a noble setting. A silence between two sentences. At Villa Ephrussi, these contrasts are magnificent, because they give the images a depth that decor alone could never offer.

The moment of the couple's photos, between new-found breath and almost unreal beauty

After the intensity of the ceremony, there's often that simple but precious need to catch your breath. This is when couple photos come into their own. Not an artificial break, not an obligation slipped into the schedule, but a real space to reconnect. At the Villa Ephrussi, this parenthesis becomes particularly beautiful, because the location allows for both scale and intimacy, majesty and gentleness.

You can go from an open terrace overlooking the Mediterranean to a more confidential alley, from a highly designed garden to a quieter, almost secret corner. This diversity gives you enormous freedom. Couple photos can evolve without ever seeming repetitive. What's important to me, then, is not to string together a series of “spots”, but to let the couple inhabit the place at their own pace. A few steps, a breath, a look, a way of being together in that light. This is often where the most precious images are born.

Family and group photos, with style but without rigidity

At a wedding at Villa Ephrussi, family and group photos can easily become extremely elegant. The location naturally brings structure, order and a form of visual dress that brings out the best in everyone. But it would be a mistake to make this moment too strict. I want these images to be fluid, breathable and simple for the guests to experience.

I see them as anchor points in the story. They bring together the people who count, they fix a family memory, they preserve the trace of those who were there that day. At an international wedding or a large gathering of close friends and family, these images take on even more weight as the years go by. My role is to make them beautiful and natural at the same time, with enough precision to make them strong, but without breaking the energy of the day.

The cocktail party, when everything opens up and the villa begins to vibrate differently

The cocktail reception is often the moment when a wedding truly begins to relax. After the more concentrated intensity of the ceremony, bodies circulate differently, conversations multiply, laughter becomes more outspoken, groups form and break up, and guests fully discover the venue. At Villa Ephrussi, this phase is particularly rich, because the decor never stands still. It lives with the people. Terraces, gardens, views, reflections - everything starts to vibrate differently.

For photography, it's a wonderful terrain. There are spontaneous scenes everywhere. A discussion on the edge of a terrace, a glass of champagne raised in front of the sea, a child crossing an impeccable aisle as if unaware of its solemnity, guests genuinely marvelling at the location. These are very important images, because they tell the real story of the wedding. They show not only what the bride and groom experienced, but also what their loved ones felt in this exceptional setting.

The evening, when the Villa Ephrussi takes on even greater mystery and intensity

Then the light fades, and the Villa Ephrussi takes on a different presence. It's not quite the same. What was dazzling becomes more subdued. What once seemed majestic becomes almost cinematic. The lines remain, the gardens slowly darken, the lighting takes over, and the evening brings a new depth to the place. It's often at this moment that the wedding takes on a different emotion, denser, more vibrant, sometimes freer too.

The dinner, the speeches, the glances exchanged at the table, the first dance, the build-up to the party, all complete the story begun in the morning. I really like this end of the day, because it gives the story its real breathing space. It's not just about the beauty of the place or the highlights. We enter into something more embodied, more lived, more carnal almost. At Villa Ephrussi, night doesn't make the magic disappear. It transforms it, and it's precisely this transformation that makes the report so powerful, right up to the final images.

Tips for organizing a wedding at the Villa Ephrussi

Choosing a time frame that lets the place really express itself

The Villa Ephrussi de Rothschild doesn't feel the same at midday as it does in the late afternoon, or as evening gently falls over the peninsula. It's a place that reveals itself in layers. Light not only illuminates the villa, it transforms it. Gardens gain in softness, facades take on warmer hues, the sea becomes less glaring and more enveloping. To organize the day without taking this evolution into account would be to miss an essential part of what the place has to offer.

When a wedding is designed with this in mind, everything changes. A ceremony that's too early can seem visually harder. A well-timed cocktail immediately becomes more beautiful, more fluid, more alive. Couples' photos take on a whole new dimension when the light finally starts to caress the villa instead of hitting it. Here, timing is not a logistical detail. It's part of the very aesthetics of the day.

Don't overload a place that already has a lot of presence

The temptation is great, in such a spectacular location, to add even more: even more decor, even more structures, even more visual elements to impress. Yet the Villa Ephrussi doesn't need to be pushed to be grandiose. It already is. Its strength lies precisely in the balance between refinement, landscape, architecture and breathing space. Adding too many layers can quickly blur what makes it so singular.

The most successful weddings here are often those that understand this subtlety. They don't try to compete with the venue. They match it. Beautiful floral direction, yes. Elegant staging, of course. But always with the idea of dialoguing with the villa, not competing with it. At Villa Ephrussi, luxury is often more a matter of precision than accumulation.

Keep traffic flowing so that guests can really enjoy the place

This kind of place deserves to be lived in, not simply passed through. If the day's events follow each other too quickly, if the movements are too tight, if guests never have the space to look, to breathe, to inhabit the gardens or terraces for a moment, part of the experience is lost. The Villa Ephrussi is not just a backdrop for a ceremony and a dinner party. It's a place that you discover gradually, almost physically.

Building a fluid flow is therefore fundamental. You have to think about transitions. Give guests time to really get into the atmosphere of the venue. Don't allow everything to be based on a single, compact sequence. Allow for breathing space. When the rhythm is right, the day naturally becomes more elegant. People don't run. They're enjoying themselves. And you can feel it in the atmosphere, in the exchanges, in the images, in the memory that everyone will keep of the event.

Keep a real space for couple photos instead of squeezing them in between two highlights.

At a venue like this, couple photos should never be treated as a quick formality slipped in between the ceremony and the cocktail reception. They deserve a real place in the day. Not only because the villa offers extraordinary settings, but also because this moment allows the couple to come back down, to find each other again, to finally feel what has just taken place.

At Villa Ephrussi, a few well-thought-out minutes are worth infinitely more than a short sequence snatched from the schedule. It's not a question of a long session that cuts the bride and groom off from their guests, but of preserving enough space to let something happen. When this moment is respected, the images gain in depth. They don't just show a couple in a beautiful setting. They show a couple really living their day.

Think also of the experience of those who come from afar

The Villa Ephrussi de Rothschild naturally attracts international couples and guests, some of whom are discovering the French Riviera for the first time. For them, the wedding is not just a celebration. It will often also be a souvenir of a trip, an immersion in a certain idea of the Riviera. This context deserves to be taken seriously, as it has a major influence on the way the day is experienced.

Anything that helps guests enter the experience more easily is more important: clear information, straightforward logistics, an easy-to-read sequence of events, a smooth welcoming feel, real comfort during transitions. These are details that are sometimes underestimated, but which profoundly change the overall quality of a wedding. In such a prestigious venue, elegance doesn't just come from the decor. It also comes from the way everything seems to flow naturally.

Fully embrace the style of the place without trying to make it something else

The Villa Ephrussi de Rothschild has a very strong identity. There's little point in trying to obliterate it or divert it completely. This place is all about the Riviera, refinement, gardens, light, history and open sea views. It has a very clear personality. The weddings that find the most strength in it are often those that accept this identity and extend it in their own way, rather than those that try to take it too far in a direction foreign to its nature.

This doesn't mean you have to have a fixed or expected wedding. On the contrary, it does. It means creating from the venue, not against it. When art direction, fashion, flowers, light and the rhythm of the day enter into this conversation with the villa, then everything seems more coherent, more upscale, more obvious. And this self-evidence is one of the rarest forms of true luxury.

Frequently asked questions for a wedding at the Villa Ephrussi de Rothschild

Is the Villa Ephrussi de Rothschild more suited to a large wedding or a more intimate celebration?

This is precisely one of the venue's great strengths: it can accommodate very different atmospheres without ever losing its elegance. Some couples imagine a large wedding, with a real dimension of an exceptional reception on the French Riviera. Others, on the contrary, see it as the perfect setting for a day that's tighter, more intimate, almost more emotional, because every presence counts more.

The villa supports both visions wonderfully. Its beauty doesn't need a large number of guests to exist, but it also has enough presence to carry a more ambitious day. So the right format depends less on the venue itself than on the kind of energy you want to give your wedding.

What's the best time of day to get married at Villa Ephrussi?

The place is beautiful at all hours of the day, but it doesn't have the same intensity depending on the light. At the height of the day, everything appears sharper, sunnier and more radiant. In the late afternoon, the villa becomes softer, the gardens take on more relief, the terraces gain in poetry, and the sea begins to reflect a much more flattering light. It's often at this moment that the place becomes at its most bewitching.

For this reason, many couples choose a later ceremony, followed by a cocktail when the light really begins to envelop the venue. This allows you to enjoy both the splendor of the gardens and the softness of the late day, which makes the images particularly powerful.

Do you have to go out of your way to take beautiful couple photos on the Riviera?

Honestly, no. The Villa Ephrussi de Rothschild already offers such a variety of settings that there's usually no need to go looking elsewhere for what is so obviously available on site. Between the gardens, the perspectives, the staircases, the open-air terraces and the more confidential areas, the reportage can already be extremely rich without leaving the site.

And this is often what I recommend. Staying on location means you don't break the rhythm of the day, avoid unnecessary travel and keep the aesthetic coherence of the wedding. The location is more than enough to create images that are elegant, varied and deeply rooted in the spirit of the French Riviera.

How much time should I allow for couple photos at the Villa Ephrussi?

It's better to give them real space, even if it's not very long. In a place like this, trying to do everything in ten minutes would inevitably result in something more hurried and superficial. The beauty of the site deserves a little breathing space, but above all, the couple need this time to reconnect after the ceremony, and come down a little from the intensity.

In practice, setting aside between thirty and forty-five minutes works very well. This leaves enough time to bring several moods to life without turning the moment into a heavy photo shoot. At Villa Ephrussi, this time is often enough to create a very complete series of images, provided it's well placed in the day.

Does Villa Ephrussi work well for a destination wedding?

Yes, magnificently. In fact, it's one of the most iconic locations for it on the French Riviera. Many foreign couples are looking for exactly this type of experience: an iconic villa, spectacular gardens, the sea all around, proximity to Nice, Monaco, Saint-Jean-Cap-Ferrat and the whole Riviera. The location combines all this with a rare strength.

For guests, the effect is immediate. They don't just discover a reception venue, they experience a real immersion in a certain idea of the French Riviera. This gives the wedding a more memorable dimension, more travel, more experience, which is often at the heart of successful destination weddings.

How many photos are delivered after a wedding at this location?

The exact number will always depend on the length of time you're there, how the wedding unfolds, the number of guests and the density of the day. A highly mobile day, with several highlights and lots of interaction, will naturally produce a richer report than a shorter or more streamlined format. But I don't work to a fixed quota.

For a complete report, I guarantee a minimum of 600 carefully selected and retouched photos. The idea is not to deliver a lot for the sake of delivering a lot, but to recreate the day in all its texture: the beauty of the venue, of course, but also the faces, the details, the impulses, the breaths, everything that gave the wedding its truth.

When should I book a photographer for a wedding at the Villa Ephrussi de Rothschild?

For such a sought-after location, it's best to plan ahead. The most popular dates, especially between spring and early autumn, fill up fast on the French Riviera. And since couples who choose the Villa Ephrussi often plan their weddings early, photography can also be booked in advance.

Generally speaking, for a Saturday in high season, a year's notice is still very comfortable. On weekdays or in less busy periods, there may be more flexibility. But the earlier you start thinking about your project, the more you'll be able to discuss it calmly and work together to create a report that's really in tune with the location and your day.

Is this location suitable for natural photography or is it too “grand décor”?

It's a very interesting question, because it's often asked by couples who love candid images but fear that such a spectacular location will make everything too posed. In reality, the Villa Ephrussi can produce extremely natural images, provided they are approached with the right sensitivity. The problem isn't the location. Above all, it's how you photograph inside it.

If you're only interested in exploiting its prestige, you can quickly end up with something too static. But if you leave room for movement, silence and real interaction, then the villa becomes a sublime setting for profoundly vivid images. This is exactly the balance I'm looking for in my reports.

Do you also photograph weddings around the Villa Ephrussi and on the rest of the Riviera?

Yes, on a regular basis. The Villa Ephrussi de Rothschild is one of a number of exceptional venues on the French Riviera, and many couples hesitate between several destinations or plan their wedding nearby. So I also photograph weddings at Saint-Jean-Cap-Ferrat, à Villefranche-sur-Mer, à Èze, à Monaco or to Nice.

Each venue has its own rhythm, its own light, its own way of telling the story of a wedding. The Villa Ephrussi remains one of the most emblematic, but it also fits in perfectly with the whole Riviera universe that makes weddings on the French Riviera so special.

Your wedding photographer at the Villa Ephrussi de Rothschild

To marry at the Villa Ephrussi de Rothschild is to choose a place that goes far beyond the simple idea of a beautiful setting. Here, everything has a special intensity: the light in the gardens, the sea that surrounds the peninsula, the softness of the façades, the elegance of the perspectives, that rare sensation of being in a place that is both spectacular and profoundly refined.

My job is to photograph the day, without ever freezing it, leaving plenty of room for emotion, the real rhythm of the wedding and the singular beauty of the villa. The aim is not just to show where you got married, but to tell the story of what you experienced there, with images that are sensitive, elegant and timeless.

If you're planning your wedding at the Villa Ephrussi de Rothschild and are looking for a photographer who can capture both the grandeur of the venue and the truth of your day, I'd love to hear about your project.

You can write to me via the contact form to tell me about your date, your reception and how you imagine your wedding on the French Riviera.